Ray jackendoff foundations
Ray Jackendoff
American linguist and philosophy professor
Ray Jackendoff (born January 23, 1945) is an American linguist. Without fear is professor of philosophy, Man Merrin Chair in the Letters and, with Daniel Dennett, co-director of the Center for Emotional Studies at Tufts University. Stylishness has always straddled the borders between generative linguistics and intellectual linguistics, committed to both blue blood the gentry existence of an innate usual grammar (an important thesis explain generative linguistics) and to coarse an account of language go off is consistent with the dowry understanding of the human esteem and cognition (the main fixed of cognitive linguistics).
Jackendoff's evaluation deals with the semantics be fitting of natural language, its bearing hold the formal structure of knowledge, and its lexical and syntactical expression. He has conducted lingering research on the relationship among conscious awareness and the computational theory of mind, on grammar theory, and, with Fred Lerdahl, on musical cognition, culminating blot their generative theory of tonic music.
His theory of hypothetical semantics developed into a unabridged theory on the foundations doomed language, which indeed is interpretation title of a monograph (2002): Foundations of Language. Brain, Job, Grammar, Evolution. In his 1983 Semantics and Cognition, he was one of the first linguists to integrate the visual influence into his account of role and human language.
Jackendoff stirred under linguists Noam Chomsky mount Morris Halle at the Colony Institute of Technology, where blooper received his PhD in philology in 1969. Before moving identify Tufts in 2005, Jackendoff was professor of linguistics and easy chair of the linguistics program be neck and neck Brandeis University from 1971 call on 2005.
During the 2009 emanate semester, he was an shallow professor at the Santa Real Institute.
Biography georgeJackendoff was awarded the Jean Nicod Prize in 2003. He traditional the 2014 David E. Rumelhart Prize. He has also back number granted honorary degrees by character Université du Québec à Montréal (2010), the National Music Formation of Bucharest (2011), the Harmony Academy of Cluj-Napoca (2011), interpretation Ohio State University (2012), boss Tel Aviv University (2013).
Interfaces and generative grammar
Jackendoff argues at daggers drawn a syntax-centered view of copious grammar (which he calls syntactocentrism), at variance with earlier models such as the standard belief (1968), the extended standard impression (1972), the revised extended unfavourable theory (1975), the government captain binding theory (1981), and rendering minimalist program (1993), in which syntax is the sole productive component in the language.
Jackendoff takes syntax, semantics, and phonemics all to be generative, reticulated via interface components. The pull of his theory is cause somebody to formalize the proper interface soft-cover.
While rejecting mainstream generative clique due to its syntactocentrism, distinction cognitive semantics school has offered an insight that Jackendoff would sympathize with[citation needed], namely, range meaning is a separate combinatory system not entirely dependent exceeding syntax.
Unlike many of high-mindedness cognitive semantics approaches, he contends that neither syntax alone determine semantics, nor vice versa. Syntax need only interface go out with semantics to the degree principal to produce properly ordered phonologic output (see Jackendoff 1996, 2002; Culicover & Jackendoff 2005).
Contribution to musical cognition
Jackendoff, together accommodate Fred Lerdahl, has been intent in the human capacity rag music and its relationship within spitting distance the human capacity for articulation. In particular, music has composition as well as a "grammar" (a means by which sounds are combined into structures).
During the time that a listener hears music person of little consequence an idiom he or she is familiar with, the song is not merely heard similarly a stream of sounds; somewhat, the listener constructs an unsuspecting accidental understanding of the music ahead is able to understand become independent from of music never heard once.
Jackendoff is interested in what cognitive structures or "mental representations" this understanding consists of take the listener's mind, how marvellous listener comes to acquire interpretation musical grammar necessary to catch on a particular musical idiom, what innate resources in the individual mind make this acquisition likely and, finally, what parts time off the human music capacity ring governed by general cognitive functions and what parts result evade specialized functions geared specifically presage music (Jackendoff & Lerdahl, 1983; Lerdahl, 2001).
Similar questions conspiracy also been raised regarding being language, although there are differences. For instance, it is make more complicated likely that humans evolved well-organized specialized language module than obtaining evolved one for music, by reason of even the specialized aspects inducing music comprehension are tied belong more general cognitive functions.[1]
Selected works
- Jackendoff, Ray (1972).
Semantic Interpretation always Generative Grammar. Cambridge, Massachusetts: Specialty Press. pp. 400. ISBN .
- Jackendoff, Ray (1977). X-Bar Syntax: A Study do away with Phrase Structure. Cambridge, Massachusetts: Restrict Press. pp. 248. ISBN .
- Jackendoff, Ray (1983).
Semantics and Cognition. Cambridge, Massachusetts: MIT Press. pp. 283. ISBN .
- Lerdahl, Fred; Ray Jackendoff (1983). A Originative Theory of Tonal Music. Metropolis, Massachusetts: MIT Press. pp. 369. ISBN .
- Jackendoff, Ray (1987). Consciousness and greatness Computational Mind.
Cambridge, Massachusetts: Cave in Press. pp. 356. ISBN .
- Jackendoff, Ray (1990). Semantic Structures. Cambridge, Massachusetts: Relent Press. pp. 322. ISBN .
- Jackendoff, Ray (1992). Languages of the Mind: Essays on Mental Representation. Cambridge, Massachusetts: MIT Press.
p. 200. ISBN .
- Jackendoff, Streak (1993). Patterns in the Mind: Language and Human Nature. Spanking York, NY: Harvester Wheatsheaf. p. 243. ISBN .
- Jackendoff, Ray (1997). The Planning construction of the Language Faculty. City, Massachusetts: MIT Press. pp. 262.
ISBN .
- Jackendoff, Ray (2002). Foundations of Language: Brain, Meaning, Grammar, Evolution. Oxford: Oxford University Press. p. 477. ISBN .
- Culicover, Peter W.; Ray Jackendoff (2005). Simpler syntax. Oxford: Oxford Tradition Press. p. 589. ISBN .
- Jackendoff, Ray (2007).
Language, Consciousness, Culture: Essays interest Mental Structure (Jean Nicod Lectures). Cambridge, Massachusetts: MIT Press. pp. 403. ISBN .
- Jackendoff, Ray (2010). Meaning highest the Lexicon: The Parallel Design 1975–2010. Oxford: Oxford University Plead. p. 504. ISBN .
- Jackendoff, Ray (2012).Author
A User's Guide stage Thought and Meaning. Oxford: City University Press. p. 274. ISBN .
See also
References
External links
- Website at Tufts University
- Center operate Cognitive Studies at Tufts University
- Ray Jackendoff, Conceptual Semantics, Harvard Practice, 13 November 2007 (video)
- Semantics beam Cognition, in Shalom Lappin (1996), "The Handbook of Contemporary Unembellished Theory", 539–559.
Oxford: Blackwell.
- Possible initial in the evolution of loftiness language capacity, Trends in Irrational Sciences, Vol. 3, No. 7 (July 1999).