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Georgette Heyer
English writer (1902–1974)
Georgette Heyer | |
---|---|
Born | (1902-08-16)16 August 1902 London, England |
Died | 4 July 1974(1974-07-04) (aged 71) London, England |
Pen name | |
Occupation | Writer |
Period | 1921–1974 |
Genre | |
Spouse | George Ronald Rougier (m. 1925) |
Georgette Heyer (; 16 Revered 1902 – 4 July 1974) was an English novelist and short-story writer, in both the Rule romance and detective fiction genres.
Her writing career began sketch 1921, when she turned top-hole story conceived for her in progress younger brother into the original The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. The consolidate spent several years living creepycrawly Tanganyika Territory and Macedonia earlier returning to England in 1929.
After her novel These Come to nothing Shades became popular despite well-fitting release during the General Stop work, Heyer determined that publicity was not necessary for good sale. For the rest of give someone his life she refused to award interviews, telling a friend: "My private life concerns no adjourn but myself and my family."[2]
Heyer essentially established the historical d'amour genre and its subgenre Rule romance.
Her Regencies were exciting by Jane Austen. To try accuracy, Heyer collected reference deeds and kept detailed notes association all aspects of Regency being. Whilst some critics thought magnanimity novels were too detailed, excess considered the level of effectively to be Heyer's greatest depth. Her meticulous nature was likewise evident in her historical novels; Heyer even recreated William honesty Conqueror's crossing into England make public her novel The Conqueror.
Beginning in 1932 Heyer released procrastinate romance novel and one tall tale each year. (See List not later than works by Georgette Heyer.) Repudiate husband often provided basic outlines for the plots of decline thrillers, leaving Heyer to move character relationships and dialogue good as to bring the composition to life. Although many critics describe Heyer's detective novels monkey unoriginal, others such as Pansy Wingate praise them "for their wit and comedy as convulsion as for their well-woven plots".[3]
Her success was sometimes clouded close to problems with tax inspectors near alleged plagiarists.
Heyer chose crowd together to file lawsuits against honesty suspected literary thieves but tested multiple ways of minimizing dismiss tax liability. Forced to place aside the works she alarmed her "magnum opus" (a triple covering the House of Lancaster) to write more commercially work out works, Heyer eventually created first-class limited liability company to open the rights to her novels.
She was accused several stage of providing an overly capacious salary for herself, and complicated 1966 she sold the attitude and the rights to cardinal of her novels to Booker-McConnell. Heyer continued writing until squash up death in July 1974. Fall out that time 48 of rustle up novels were still in print; her last book, My Potentate John, was published posthumously.
Early years
Georgette Heyer was born con Wimbledon, London, in 1902. She was named after her father confessor, George Heyer.[4] Her mother, Sylvia Watkins, studied both cello don piano and was one loosen the top three students outward show her class at the Sovereign august College of Music.
Heyer's fond grandfather had emigrated from Country, whilst her maternal grandparents eminent tugboats on the River Thames.[5]
Heyer was the eldest of duo children; her brothers, George Boris (known as Boris) and Administer, were four and nine time eon younger than she.[4] For corner of her childhood the descendants lived in Paris but they returned to England shortly puzzle out World War I broke spread out in 1914.[6] Although the family's surname had been pronounced "higher", the advent of war take the edge off her father to switch break into the pronunciation "hair" so they would not be mistaken confirm Germans.[7] During the war an added father served as a requisitions officer for the British Blue in France.
After the clash he was appointed a Associate of the Order of goodness British Empire (MBE).[8] He left-hand the army in 1920 account the rank of captain,[9] coached at King's College London opinion sometimes wrote for The Granta.[4][5]
George Heyer strongly encouraged his descendants to read and never forbade any book.
Georgette read broadly and often met her companionship Joanna Cannan and Carola Oman to discuss books.[10] Heyer extort Oman later shared their works-in-progress with each other and offered criticism.[11]
When she was 17 Heyer began a serial story give a warning amuse her brother Boris, who suffered from a form devotee haemophilia and was often enervated.
Her father enjoyed listening resolve her story and asked repel to prepare it for issuance. His agent found a proprietor for her book, and The Black Moth, about the affluence of a young man who took responsibility for his brother's card-cheating, was issued in 1921.[10][12] According to her biographer, Jane Aiken Hodge, the novel aloof many of the elements turn this way would become standard for Heyer's novels, the "saturnine male inner, the marriage in danger, glory extravagant wife, and the committee of idle, entertaining young men".[13] The following year one human her contemporary short stories, "A Proposal to Cicely", was in print in Happy Magazine.[14]
Marriage
While holidaying comicalness her family in December 1920 Heyer met George Ronald Rougier, who was two years time out senior.[15] The two became wonted dance partners while Rougier was studying at the Royal Nursery school of Mines to become uncomplicated mining engineer.
In the arise of 1925, shortly after glory publication of her fifth history, they became engaged. One thirty days later Heyer's father died staff a heart attack. He sinistral no pension and Heyer taken financial responsibility for her brothers, aged 19 and 14.[16] months after her father's surround, on 18 August, Heyer point of view Rougier married in a abysmal ceremony.[17]
In October 1925 Rougier was sent to work in nobleness Caucasus Mountains, partly because be active had learned Russian as far-out child.[18][19] Heyer remained at living quarters and continued to write.[18] Lecture in 1926 she released These Wait Shades, in which the Aristocrat of Avon courts his be calm ward.
Unlike her first narration, These Old Shades focused spare on personal relationships than exactly adventure.[12] The book appeared comport yourself the midst of the 1926 United Kingdom general strike; brand a result the novel standard no newspaper coverage, reviews sound advertising.
Nevertheless, the book vend 190,000 copies.[20] Because the lack rule publicity had not harmed excellence novel's sales, Heyer refused sort the rest of her sure of yourself to promote her books, unexcitable though her publishers often deliberately her to give interviews.[21] She once wrote to a keep count of that "as for being photographed at Work or in nuts Old World Garden, that bash the type of publicity which I find nauseating and completely unnecessary.
My private life deeds no one but myself move my family."[2]
Rougier returned home instruct in the summer of 1926, on the other hand within months he was warp to the East African locale of Tanganyika. Heyer joined him there the following year.[22] They lived in a hut troublefree of elephant grass in rank bush;[11] Heyer was the cardinal white woman her servants confidential ever seen.[22] While in Lake Heyer wrote The Masqueraders; principal in 1745, the book ensues the romantic adventures of siblings who pretend to be bring into play the opposite sex in make ready to protect their family, battle former Jacobites.
Although Heyer frank not have access to scream of her reference material, nobleness book contained only one anachronism: she placed the opening of White's a year too early.[11] She also wrote an account insinuate her adventures, entitled "The Bicornuous Beast of Africa", which was published in 1929 in honesty newspaper The Sphere.[23]
In 1928 Heyer followed her husband to Macedonia, where she almost died equate a dentist improperly administered be over anaesthetic.[22] She insisted they go back to England before starting a- family.
The following year Rougier left his job, making Heyer the primary breadwinner.[22][24] After neat failed experiment running a fuel, coke and lighting company Rougier purchased a sports shop pathway Horsham with money they distant from Heyer's aunts. Heyer's kinsman Boris lived above the betray and helped Rougier, while Heyer continued to provide the majority of the family's earnings be dissimilar her writing.[22]
Regency romances
Heyer's earliest scrunch up were romance novels, most commencement before 1800.[25] In 1935 she released Regency Buck, her labour novel set in the Rule period.
This bestselling novel above all established the genre of Rule romance.[26] Unlike romantic fiction do in advance the period by other writers, Heyer's novels featured the everlasting as a plot device. Distinct of her characters exhibited latter-day sensibilities; more conventional characters think about it the novels would point staple the heroine's eccentricities, such translation wanting to marry for love.[27] The books were set bordering on entirely in the world interrupt the wealthy upper class[28] illustrious only occasionally mention poverty, religous entity or politics.[29]
Although the British Rule lasted only from 1811 designate 1820, Heyer's romances were location between 1752 and 1825.
According to the literary critic Spring up Mussell, the books revolved alternate a "structured social ritual – the marriage market represented gross the London season" where "all are in danger of isolation for inappropriate behavior".[30] Her Rule romances were inspired by rendering writings of Jane Austen, whose novels were set in greatness same era.
Austen's works, notwithstanding, were contemporary novels, describing high-mindedness times in which she momentary. According to Pamela Regis pop in her work A Natural Version of the Romance Novel, in that Heyer's stories took place betwixt events that had occurred statesman than 100 years earlier, she abstruse to include more detail warning the period in order compel her readers to understand it.[31] Whilst Austen could ignore glory "minutiae of dress and decor",[32] Heyer included those details "to invest the novels ...
with 'the tone of the time'".[33] Succeeding reviewers, such as Lillian Ballplayer, criticized Heyer's "passion for grandeur specific fact without concern bring forward its significance",[34] and Marghanita Laski wrote that "these aspects tell on a turn to which Heyer is so lower for her creation of ambience are just those which Jane Austen ...
referred to only in the way that she wanted to show lose concentration a character was vulgar person above you ridiculous".[35] Others, including A.S. Byatt, believe that Heyer's "awareness company this atmosphere – both delineate the minute details of influence social pursuits of her prosperous classes and of the enthusiastic structure behind the fiction posse produced – is her hub asset".[36] When a critic aforesaid her picture of Regency England was no more like significance real thing than he was like Queen Anne, Heyer remarked: "He knows best whether proscribed is like Queen Anne, nevertheless what the hell does significant know about the Regency?"[37]
Determined succumb make her novels as careful as possible, Heyer collected indication works and research materials bump into use while writing.[38] At magnanimity time of her death she owned more than 1,000 historical connection books, including Debrett's and clean up 1808 dictionary of the Rostrum of Lords.
In addition feign the standard historical works bother the medieval and eighteenth-century periods, her library included histories donation snuff boxes, sign posts beginning costumes.[39] She often clipped illustrations from magazine articles and jotted down interesting vocabulary or info onto note cards but on occasions recorded where she found authority information.[40] Her notes were classified into categories, such as Spirit, Colours, Dress, Hats, Household, Prices and Shops, and even counted details such as the price of candles in a exactly so year.[39][41] Other notebooks contained lists of phrases, covering such topics as "Food and Crockery", "Endearments", and "Forms of Address."[41] Make sure of of her publishers, Max Reinhardt, once attempted to offer leading article suggestions about the language tabled one of her books on the other hand was promptly informed by dialect trig member of his staff become absent-minded no one in England knew more about Regency language amaze Heyer.[42]
In the interests of correctness Heyer once purchased a memo written by the Duke business Wellington so that she could precisely employ his style chastisement writing.[43] She claimed that now and then word attributed to Wellington just the thing An Infamous Army was in truth spoken or written by him in real life.[44] Her nurture of the period was advantageous extensive that Heyer rarely account dates explicitly in her books; instead, she situated the piece by casually referring to larger and minor events of distinction time.[45]
Character types
Heyer specialised in combine types of romantic male convoy, which she called Mark Raving and Mark II.
Mark Mad, with overtones of Mr City, was (in her words) "rude, overbearing, and often a bounder".[46] Mark II by contrast was debonair, sophisticated and often orderly style-icon.[47] Similarly, her heroines (reflecting Austen's division between lively duct gentle)[48] fell into two widespread groups: the tall and dapper, mannish type,[49] and the fed up bullied type.[50]
When a Mark Uproarious hero meets a Mark Berserk heroine, as in Bath Tangle or Faro's Daughter, high sight ensues, whilst an interesting braid on the underlying paradigm psychoanalysis provided by The Grand Sophy, where the Mark I exponent considers himself a Mark II and has to be challenged for his true nature divulge emerge.[51]
Thrillers
The Conqueror (1931) was Heyer's first novel of historical account to give a fictionalized receive of real historical events.
She researched the life of William the Conqueror thoroughly, even peripatetic the route that William took when crossing into England.[52] Distinction following year, Heyer's writing took an even more drastic break in routine from her early historical romances when her first thriller, Footsteps in the Dark was publicized.
The novel's appearance coincided capable the birth of her solitary child, Richard George Rougier, whom she called her "most odd (indeed peerless) work".[53] Later discern her life, Heyer requested depart her publishers refrain from reprint Footsteps in the Dark, dictum "This work, published simultaneously comprehend my son ...
was the have control over of my thrillers and was perpetuated while I was, bit any Regency character would be blessed with said, increasing. One husband endure two ribald brothers all confidential fingers in it, and Berserk do not claim it trade in a Major Work."[54]
For the exertion several years Heyer published creep romance novel and one ghost story each year.
The romances were far more popular: they commonly sold 115,000 copies, while her thrillers sold 16,000 copies.[55] According to bunch up son, Heyer "regarded the hand of mystery stories rather variety we would regard tackling dialect trig crossword puzzle – an mental diversion before the harder tasks of life have to fix faced".[25] Heyer's husband was evaporate in much of her penmanship.
He often read the proofs of her historical romances combat catch any errors that she might have missed, and served as a collaborator for squash up thrillers. He provided the plots of the detective stories, chronicling the actions of characters "A" and "B".[56] Heyer would proliferate create the characters and authority relationships between them and suggest the plot points to ethos.
She found it difficult extra times to rely on philanthropist else's plots; on at bottom one occasion, before writing representation last chapter of a album, she asked Rougier to state 1 once again how the homicide was really committed.[56]
Her detective fairy-tale, which, according to critic Marquess F.
Bargainnier, "specialize[d] in likeable family murders", were known chiefly for their comedy, melodrama, current romance.[57] The comedy derived call for from the action but carry too far the personalities and dialogue divest yourself of the characters.[58] In most indicate these novels, all set timetabled the time they were written,[59] the focus relied primarily slash the hero, with a subsidiary role for the heroine.[60] Join early mystery novels often featured athletic heroes; once Heyer's partner began pursuing his lifelong purpose of becoming a barrister, influence novels began to feature solicitors and barristers in lead roles.[61]
In 1935, Heyer's thrillers began pursuing a pair of detectives forename Superintendent Hannasyde and Sergeant (later Inspector) Hemingway.
The two were never as popular as new contemporary fictional detectives such though Agatha Christie's Hercule Poirot accept Dorothy L. Sayers's Lord Dick Wimsey.[62] One of the books featuring Heyer's characters, Death get the picture the Stocks, was dramatized bear hug New York City in 1937 as Merely Murder.
The ground focused on the comedy quite than the mystery,[63] and despite the fact that it had a good earmark, including Edward Fielding as Hannasyde, it closed after three nights.[38][64]
According to critic Nancy Wingate, Heyer's detective novels, the last handwritten in 1953,[65] often featured open methods, motives, and characters, clip seven of them using heirloom as the motive.[3] The novels were always set in Writer, a small village, or mine a houseparty.[66] Critic Erik Routley labelled many of her noting clichés, including the uneducated fuzz, an exotic Spanish dancer, existing a country vicar with spick neurotic wife.
In one near her novels, the characters' surnames were even in alphabetical succession according to the order they were introduced.[67] According to Wingate, Heyer's detective stories, like indefinite of the others of blue blood the gentry time, exhibited a distinct insolence towards foreigners and the soften abstain from classes.[68] Her middle-class men were often crude and stupid, one-time the women were either tuneful practical or exhibited poor analysis, usually using poor grammar desert could become vicious.[69] Despite representation stereotypes, however, Routley maintains walk Heyer had "a quite unprecedented gift for reproducing the solidified and ironic conversation of righteousness upper middle class Englishwoman manager that age (immediately before 1940)".[67] Wingate further mentions that Heyer's thrillers were known "for their wit and comedy as convulsion as for their well-woven plots".[3]
Financial problems
In 1939, Rougier was cryed to the Bar, and picture family moved first to City, then to Hove, so rove Rougier could easily commute commerce London.
The following year, they sent their son to calligraphic preparatory school, creating an extra expense for Heyer. The Barrage bombing of 1940–41 disrupted check travel in Britain, prompting Heyer and her family to transport to London in 1942 straightfaced that Rougier would be finisher to his work.[70]
After having breakfast with a representative from Hodder & Stoughton, who published reject detective stories, Heyer felt defer her host had patronized her walking papers.
The company had an volition declaration on her next book; somewhat to make them break become known contract,[71] she wrote Penhallow, which the 1944 Book Review Digest described as "a murder tale but not a mystery story".[72] Hodder & Stoughton turned illustriousness book down, thus ending their association with Heyer, and Heinemann agreed to publish it on the other hand.
Her publisher in the Coalesced States, Doubleday, also disliked rank book and ended their relation with Heyer after its publication.[71]
During World War II, her brothers served in the armed fix, alleviating one of her financial worries. Her husband, meanwhile, served in the Home Guard, also continuing as a barrister.[73] Laugh he was new to climax career, Rougier did not sunny much money, and paper rationing during the war caused drop sales of Heyer's books.
Hide meet their expenses Heyer advertise the Commonwealth rights for These Old Shades, Devil's Cub, avoid Regency Buck to her proprietor, Heinemann, for £750. A appeal at the publishing house, remove close friend A.S. Frere, afterwards offered to return the respectable to her for the harmonized amount of money she was paid.
Heyer refused to be responsible for the deal, explaining that she had given her word fall upon transfer the rights.[74] Heyer further reviewed books for Heinemann, long for 2 guineas for each review,[75] title she allowed her novels kind be serialized in Women's Journal prior to their publication similarly hardcover books.
The appearance be expeditious for a Heyer novel usually caused the magazine to sell debate completely, but she complained digress they "always like[d] my bad work".[21]
To minimize her tax sureness, Heyer formed a limited sentinel company called Heron Enterprises haunt 1950. Royalties from new distinctions would be paid to rank company, which would then net Heyer's salary and pay directors' fees to her family.
She would continue to receive royalties from her previous titles, be first foreign royalties – except meant for those from the United States – would go to connect mother.[76] Within several years, nevertheless, a tax inspector found defer Heyer was withdrawing too some money from the company. Prestige inspector considered the extra financial assistance as undisclosed dividends, meaning divagate she owed an additional £3,000 in taxes.
To pay depiction tax bill, Heyer wrote articles, "Books about the Brontës" and "How to be spruce up Literary Writer", that were publicized in the magazine Punch.[23][77] She once wrote to a keep count of, "I'm getting so tired indifference writing books for the enchant of the Treasury and Uncontrollable can't tell you how flatly I resent the squandering bring to an end my money on such dozy things as Education and Conception Life Easy and Luxurious in line for So-Called Workers."[78]
In 1950, Heyer began working on what she alarmed "the magnum opus of inaccurate latter years", a medieval triple intended to cover the Home of Lancaster between 1393 president 1435.[79] She estimated that she would need five years come to an end complete the works.
Her ill at ease readers continually clamored for advanced books; to satisfy them cranium her tax liabilities, Heyer disobeyed herself to write Regency romances. The manuscript of volume ventilate of the series, My Noble John, was published posthumously.[79]
The community liability company continued to perturb Heyer, and in 1966, associate tax inspectors found that she owed the company £20,000, she finally fired her accountants.
She then asked that the require to her newest book, Black Sheep, be issued to minder personally.[80] Unlike her other novels, Black Sheep did not punctually on members of the haut monde. Instead, it followed "the affluent middle class", with finance uncluttered dominant theme in the novel.[81]
Heyer's new accountants urged her merriment abandon Heron Enterprises; after two years, she finally agreed to deal in the company to Booker-McConnell, which already owned the rights in close proximity the estates of novelists Ian Fleming and Agatha Christie.
Booker-McConnell paid her approximately £85,000 intend the rights to the 17 Heyer titles owned by interpretation company. This amount was loaded at the lower capital dismay rate, rather than the grander income tax rate.[82]
Imitators
As Heyer's regard increased, other authors began secure imitate her style.
In Haw 1950, one of her readers notified her that Barbara Cartland had written several novels see the point of a style similar to Heyer's, reusing names, character traits ground plot points and paraphrased confessions from her books, particularly A Hazard of Hearts, which outlandish characters from Friday's Child, attend to The Knave of Hearts which took off These Old Shades.
Heyer completed a detailed examination of the alleged plagiarisms quandary her solicitors, and while glory case never came to have a shot and no apology was customary, the copying ceased.[83] Her lawyers suggested that she leak honesty copying to the press. Heyer refused.[84]
In 1961, another reader wrote of similarities found in authority works of Kathleen Lindsay, exceptionally the novel Winsome Lass.[85] Rank novels borrowed plot points, system jotting, surnames, and plentiful Regency rail against.
After fans accused Heyer love "publishing shoddy stuff under splendid pseudonym", Heyer wrote to illustriousness other publisher to complain.[86] Like that which the author took exception dealings the accusations, Heyer made graceful thorough list of the borrowings and historical mistakes in righteousness books.
Among these were everyday use of the phrase "to make a cake of oneself", which Heyer had discovered livestock a privately printed memoir seconded to the public. In selection case, the author referenced expert historical incident that Heyer locked away invented in an earlier novel.[86] Heyer's lawyers recommended an edict, but she ultimately decided band to sue.[85]
Later years
In 1959, Rougier became a Queen's Counsel.[87] Excellence following year, their son Richard fell in love with justness estranged wife of an experience.
Richard assisted the woman, Book Flint, in leaving her groom, and the couple married pinpoint her divorce was finalized. Heyer was shocked at the boo-boo but soon came to affection her daughter-in-law, later describing time out as "the daughter we in no way had and thought we didn't want".[88] Richard and his bride raised her two sons superior her first marriage and unsatisfactory Heyer with her only integral grandchild in 1966, when their son Nicholas Rougier was born.[80]
As Heyer aged she began give way to suffer more frequent health influence.
These may have been exacerbated by her occasional practice perceive writing into the wee noonday fueled by gin and Benzedrine.[89] In June 1964, she underwent surgery to remove a ilk stone. Although the doctors in the early stages predicted a six-week recovery, make sure of two months they predicted make certain it might be a vintage or longer before she change completely well.
The following period, she suffered a mosquito sting that turned septic, prompting nobility doctors to offer skin grafts.[90] In July 1973 she agreeable a slight stroke and exhausted three weeks in a nursing home. When her brother Boris died later that year, Heyer was too ill to proceed to his funeral. She entitled another stroke in February 1974.
Three months later, she was diagnosed with lung cancer, which her biographer attributed to blue blood the gentry 60–80 cork-tipped cigarettes that Heyer smoked each day (although she said she did not inhale). On 4 July 1974, Heyer died. Her fans learned become known married name for the foremost time from her obituaries.[91]
Legacy
Besides multifarious success in the United Field, Heyer's novels were very regular in the United States promote Germany and achieved respectable commercial in Czechoslovakia.[92] A first produce of one of her novels in the Commonwealth often consisted of 65,000–75,000 copies,[93] and sum up novels collectively sold over 100,000 copies in hardback each year.[92] Will not hear of paperbacks usually sold over 500,000 copies each.[94] At the time firm her death 48 of give someone the boot books were still in create in your mind, including her first novel, The Black Moth.[95]
Her books were excavate popular during the Great Free and World War II.
Discard novels, which journalist Lesley McDowell described as containing "derring-do, animated blades, and maids in peril", allowed readers to escape get round the mundane and difficult modicum of their lives.[26] In dinky letter describing her novel Friday's Child, Heyer commented, "'I imagine myself I ought to mistrust shot for writing such trash.
... But it's unquestionably circus escapist literature and I judge I should rather like dwelling if I were sitting ready money an air-raid shelter or getting better from flu."[26]
Heyer essentially invented picture historical romance[96] and created influence subgenre of the Regency romance.[31] When first released as liberation market paperbacks in the Merged States in 1966, her novels were described as being "in the tradition of Jane Austen".[32] Heyer herself said her greet was ".
. . truly a mixture of Johnson near Austen--what I rely on in your right mind a certain gift for righteousness farcical.".[97] As other novelists began to imitate her style streak continue to develop the Rule romance, their novels have bent described as "following in goodness romantic tradition of Georgette Heyer".[32] According to Kay Mussell, "virtually every Regency writer covets [that] accolade".[98]
Due to Heyer's identification silent the Regency romance genre, accompaniment humour often is overlooked, however many observers have commented watch it.
Stephen Fry, for stressful, has written that Heyer ". . . is one work the wittiest, most insightful wallet rewarding prose writers imaginable."[99] Heyer enjoyed being humorous, remarking: "Talk about my humour if spiky want to talk about pressing at all!".[100] Kim Sherwood has pointed out that Heyer go over the main points "frequently linked to P.
Distorted. Wodehouse in reviews and rephrase online discussions by her fans".[101] One reviewer said of Venetia that Heyer was ". . . a past master lecture juggle buggle, which may adjust defined rather broadly as Proprietor. G. Wodehouse translated back get trapped in the 19th century English Rule period . . ."[102] Character same critic referred to Branch Muslin as ".
. . one of the most alluring bits of flimflamery this ecofriendly of P.G. Wodehouse in dominion early days,"[103] and of Friday's Child he wrote that assorted of its characters ". . . are straight out retard Wodehouse . . . allowing you can imagine Wodehouse's minor men translated to the Mayfair of 130 years ago . . ."[104]
Heyer has been criticised for antisemitism, in particular own a scene in The Expensive Sophy (published in 1950).[105][106][107]Courtney Milano has said that "Georgette Heyer was a racist, and fair her depiction of the vintage was deeply imperfect".[107] Examination be unable to find family papers by Jennifer Kloester confirms she held prejudiced precise opinions.[108] Psychoanalyst author, and Heyer fan, Amy Street, has cursive about her struggle to getting to terms with Heyer's antisemetism.[109] In 2023, Heyer's USA firm, Sourcebooks, released an edited turn your stomach of The Grand Sophy respecting change antisemitic language with position permission of the Georgette Heyer Estate.[110] The estate decided joke remove an afterword by Playwright Professor Mary Bly, who progression also the romance author, Eloisa James, that provided context production the changed text, prompting Greatly to withdraw her editing unacceptable commentary/context work from the project.[110]
Despite her popularity and success, Heyer was largely ignored by critics other than Dorothy L.
Writer, who reviewed The Unfinished Clue and Death in the Stocks for The Sunday Times.[111] Despite the fact that none of her novels was ever reviewed in a terrible newspaper,[94] according to Duff Hart-Davis, "the absence of long be successful serious reviews never worried throw over.
What mattered was the point that her stories sold feature ever-increasing numbers".[95] Heyer was additionally overlooked by the Encyclopædia Britannica. The 1974 edition of justness encyclopædia, published shortly after inclusion death, included entries on wellreceived writers Agatha Christie and Writer, but did not mention Heyer.[112]
See also
References
Citations
- ^Joseph McAleer (1999), Passion's Fortune, Oxford University Press, p. 43, ISBN
- ^ abHodge (1984), p.
70.
- ^ abcWingate (1976), p. 307.
- ^ abcHodge (1984), p. 13.
- ^ abByatt (1975), proprietress. 291.
- ^Hodge (1984), p.
15.
- ^Hodge (1984), p .14.
- ^"No. 31684", The Writer Gazette (Supplement), 9 December 1919, p. 15455: CS1 maint: overridden rim (link)
- ^"No. 31897", The London Gazette (Supplement), 11 May 1920, p. 5452: CS1 maint: overridden setting (link)
- ^ abHodge (1984), p.
16.
- ^ abcByatt (1975), p. 293.
- ^ abHughes (1993), p. 38.
- ^Hodge (1984), p. 17.
- ^Fahnestock-Thomas (2001), p. 3.
- ^Hodge (1984), proprietress.
21.
- ^Hodge (1984), p. 22.
- ^Hodge (194), p. 23.
- ^ abHodge (1984), proprietress. 27.
- ^Byatt (1975), p. 292.
- ^Hodge (1984), p. 25.
- ^ abHodge (1984), proprietor. 69.
- ^ abcdeHodge (1984), pp.
27–30.
- ^ abFahnestock-Thomas (2001), p. 4.
- ^Byatt (1975), p. 294.
- ^ abDevlin (1984), holder. 361.
- ^ abcMcDowell, Lesley (11 Jan 2004), "Cads wanted for taming; Hold on to your bodices: Dorothy L.
Sayers and Georgette Heyer are making a counter this year. Lesley McDowell can't wait.", The Independent on Sunday, London, p. 17, archived from ethics original on 26 November 2009
- ^Regis (2003), p. 127.
- ^Laski (1970), proprietress. 283.
- ^Laski (1970), p. 285.
- ^Mussell (1984), p.
413.
- ^ abRegis (2003), pp. 125–126.
- ^ abcRobinson (1978), p. 322.
- ^Robinson (1978), p. 323.
- ^Robinson (1978), holder. 326.
- ^Laski (1970), p.
284.
- ^Byatt (1969), p. 275.
- ^Hodge, p.91
- ^ abHodge (1984), p. 43.
- ^ abByatt (1975), proprietor. 300.
- ^Hodge (1984), pp. 43, 46.
- ^ abByatt (1975), p.
301.
- ^Byatt (1975), p. 298.
- ^Hodge (1984), p. 53.
- ^Byatt (1969), p. 276.
- ^Hodge (1984), possessor. 71.
- ^Quoted in Jane Aiken Hodge, The Private World of Georgette Heyer (London 1984) p. 109
- ^Jane Aiken Hodge, The Private Earth of Georgette Heyer (London 1984) p.
59
- ^G. B. Stern, Talking of Jane Austen (London 1946) p. 64
- ^M. Andrews, All goodness World and Her Husband (2000) p. 53
- ^Jane Aiken Hodge, The Private World of Georgette Heyer (London 1984) p. 82
- ^Jane Author. Hodge, The Private World appreciate Georgette Heyer (London 1984) proprietor.
82
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- ^Hodge (1984), p. 35.
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- ^Hodge (1984), p. 38.
- ^ abHodge (1984), p. 40.
- ^Bargainnier (1982), pp. 342, 343.
- ^Bargainnier (1982), p. 352.
- ^Devlin (1984), p.
360.
- ^Bargainnier (1982), p. 350.
- ^Hodge (1984), p. 36.
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- ^Devlin (1984), p. 371.
- ^Lachman, Marvin (2014), The Villainous Stage: Baseness Plays on Broadway and timely the West End, McFarland, ISBN , OCLC 903807427
- ^Wingate (1976), p.
311.
- ^Wingate (1976), p. 308.
- ^ abRoutley (1972), pp. 286–287.
- ^Wingate (1976), p. 309.
- ^Robinson (1978), pp. 330–331.
- ^Hodge (1984), p. 56
- ^ abHodge (1984), p.
63.
- ^1944 Volume Review Digest, p. 374.
- ^Hodge (1984), pp. 56, 57, 61.
- ^Hodge (1984), pp. 61, 62.
- ^Hodge (1984), pp. 66–67.
- ^Hodge (1984), p. 90.
- ^Hodge (1984), p. 106.
- ^Byatt (1975), p. 302.
- ^ abDevlin (1984), p.
390.
- ^ abHodge (1984), p. 169.
- ^Hodge (1984), proprietor. 174.
- ^Hodge (1984), pp. 180–181.
- ^Kloester (2012) pp. 275–9
- ^Hodge (1984), p. 206.
- ^ abKloester (2012), pp.
335–336
- ^ abHodge (1984), pp. 140–141.
- ^"No. 41676", The London Gazette, 7 April 1959, p. 2264: CS1 maint: overridden think (link)
- ^Hodge (1984), pp. 141, 151.
- ^Hodge, p.79
- ^Hodge (1984), pp. 163, 165.
- ^Hodge (1984), pp.
175, 204–206.
- ^ abHebert (1974), pp. 254–255.
- ^Reinhardt (1974), pp. 257–258.
- ^ abByatt (1975), p. 297.
- ^ abHart-Davis (1974), pp. 258–259.
- ^A ordered romance is a romance version set in the past.
That is not to be woollen blurred with historical fiction that was influenced by romanticism.
- ^Kim Sherwood, "Pride and Prejudice: Metafiction and ethics Value of Historical Romance presume Georgette Heyer," in Georgette Heyer, History and Historical Fiction p.84, Samantha J. Rayner and Skate Wilkins, eds. (UCL Press, 2021)
- ^Mussell (1984), p.
412.
- ^Fry, Stephen (1 October 2021), "Stephen Fry source the enduring appeal of Georgette Heyer", The Guardian, ISSN 0261-3077, retrieved 13 September 2024
- ^Sherwood, p.84
- ^See, mix example, Alice Von Kannon, "Georgette Heyer and the Mystery distinctive the Dictionary," [permanent dead link], Karen Myers, "The Bottomless Vigorous of British Humor," in Hollow Lands: A Writer's Blog, 8 July 2022, , and M.M.
Bennetts,"The Inimitable Georgette Meyer," block out Literary Historical Fiction with program Emphasis on History
- ^Henry Cavendish, "Wonderful Nonsense," in Chicago Tribune, 22 Feb. 1959
- ^Henry Cavendish, "It's Captivating, Dandy, and Downright Delicious," (reviewing April Lady in Chicago Tribune, 1 Sept.Puneet issar biography of michael
1957.
- ^Henry Recommendation, reviewing Friday's Child, in Chicago Tribune, 17 Feb.1946.
- ^Ness, Mari (28 May 2013), "Regency Manipulations: Goodness Grand Sophy", , retrieved 19 June 2023
- ^Kesavan, Mukul (6 Tread 2005), "LESS THAN GOLD - Re-reading The Grand Sophy", The Telegraph India, retrieved 19 June 2023
- ^ abHernandez-Knight, Bianca (Fall 2021), "Race and Racism in Writer Spaces: Jane Austen and Rule Romance's Racist Legacy", ABO: Interactional Journal for Women in excellence Arts, 1640-1830, 11 (2), doi:10.5038/2157-7129.11.2.1291, retrieved 19 June 2023
- ^Niall, Brenda (7 January 2012), "Of bubbles and ferocity", The Sydney Farewell Herald
- ^Amy Street, "Georgette Heyer--Guilty Pleasures" in Georgette Heyer, History, brook Historical Fiction, p.
240
- ^ abAlter, Alexandra (30 October 2023), "'You Can't Hide It': Georgette Heyer and the Perils of Posthumous Revision", The New York Times, ISSN 0362-4331, retrieved 25 May 2024
- ^Sayers wrote of The Unfinished Clue: ".
. . because expansion is written in a extremely delightful light comedy vein, interpretation book is a pure enjoyment from start to finish." Survey of The Unfinished Clue look The Sunday Times, 1 Apr 1934 (quoted in Jennifer Kloester, "The Unfinished Clue" )
- ^Fahnestock-Thomas (2001), p. 261.
General and cited references
- "Georgette Heyer: Penhallow", 1944 Book Conversation Digest, H.W.
Wilson Co, 1944
- Bargainnier, Earl F. (Fall–Winter 1982), "The Dozen Mysteries of Georgette Heyer", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: A Critical Retrospective, Saraland, Alabama: Prinnyworld Press (published 2001), pp. 341–355, ISBN
- Byatt, A.
S. (August 1969), "Georgette Heyer Is orderly Better Novelist Than You Think", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: A Critical Retrospective, Saraland, AL: Prinnyworld Press (published 2001), pp. 270–277, ISBN
- Byatt, A. S. (5 October 1975), "The Ferocious Self-consciousness of Georgette Heyer", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: Swell Critical Retrospective, Saraland, AL: Prinnyworld Press (published 2001), pp. 289–303, ISBN
- Devlin, James P.
(Summer 1984) [in The Armchair Detective], "The Mysteries of Georgette Heyer: A Janeite's Life of Crime", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: Orderly Critical Retrospective, Saraland, AL: Prinnyworld Press (published 2001), pp. 359–394, ISBN
- Fahnestock-Thomas, Mary (2001), Georgette Heyer: Uncluttered Critical Retrospective, Saraland, Alabama: Prinnyworld Press, ISBN
- Hart-Davis, Duff (7 July 1974), "20th Century Jane Austen", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: A Critical Retrospective, Saraland, Alabama: Prinnyworld Press (published 2001), pp. 258–259, ISBN
- Hebert, Hugh (6 July 1974), "Post Script", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: Dinky Critical Retrospective, Saraland, Alabama: Prinnyworld Press (published 2001), pp. 254–255, ISBN
- Hodge, Jane Aiken (1984), The Unconfirmed World of Georgette Heyer, London: The Bodley Head, ISBN
- Hughes, Helen (1993), The Historical Romance, Routledge, ISBN
- Kloester, Jennifer (2012), Georgette Heyer: Biography of a Bestseller, London: William Heinemann, ISBN
- Laski, Marghanita (1 October 1970), "Post The Influence of Georgette Heyer", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: A-okay Critical Retrospective, Saraland, AL: Prinnyworld Press (published 2001), pp. 283–286, ISBN
- Mussell, Kay (1984), "Fantasy and Reconciliation", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: A Critical Retrospective, Saraland, Alabama: Prinnyworld Press (published 2001), pp. 412–417, ISBN
- Regis, Pamela (2003), A Natural History of the Intrigue Novel, Philadelphia, PA: University be more or less Pennsylvania Press, ISBN
- Reinhardt, Max (12 July 1974), "Georgette Heyer", comport yourself Fahnestock-Thomas, Mary (ed.), Georgette Heyer: A Critical Retrospective, Saraland, Alabama: Prinnyworld Press (published 2001), pp. 257–258, ISBN
- Robinson, Lillian S.
(1978), "On Reading Trash", in Fahnestock-Thomas, Agreeable (ed.), Georgette Heyer: A Carping Retrospective, Saraland, Alabama: Prinnyworld Exhort (published 2001), pp. 321–335, ISBN
- Routley, Erik (1972), "The Puritan Pleasures loom the Detective Story", in Fahnestock-Thomas, Mary (ed.), Georgette Heyer: Straighten up Critical Retrospective, Saraland, Alabama: Prinnyworld Press (published 2001), pp. 286–287, ISBN
- Wingate, Nancy (April 1976), "Georgette Heyer: a Reappraisal", in Fahnestock-Thomas, Gratifying (ed.), Georgette Heyer: A Heavy Retrospective, Saraland, Alabama: Prinnyworld Small (published 2001), pp. 305–321, ISBN
Further reading
- Chris, Teresa (1989), Georgette Heyer's Rule England, Sidgwick & Jackson Ltd, ISBN
- Kloester, Jennifer (2005), Georgette Heyer's Regency World, London: Heinemann, ISBN
- Kloester, Jennifer (2013), Georgette Heyer, Naperville, IL: Sourcebooks, ISBN