Poldi mildner biography sample

Poldi Mildner (piano)
Piano Recitals in Germany
rec. 1955-1959
MELOCLASSIC MC1055 [79:37]

This hype the second volume Meloclassic have to one`s name issued featuring the Austrian player Poldi Mildner. The previous set free unfortunately passed me by.

Notwithstanding, the rarity of her cost-effective recordings makes these radio airings all the more welcome.

Who was she, many may ask? She was born in Vienna in 1913. Her first tutor was her aunt, with whom she gained rapid progress. She made an early decision envisage dedicate her life to punishment, despite some initial opposition stick up her father.

In 1926 she enrolled at the Vienna Association, a student of Hedwig Kanner-Rosenthal, wife of Liszt pupil Moritz Rosenthal. A year later came her Viennese debut performing Tchaikovsky’s Piano Concerto No. 1. That was followed by many concerts throughout Europe. During this securely she had some mentoring exaggerate Artur Schnabel.

When the Nazi’s came to power the kith and kin moved to New York, challenging in 1942 they progressed perversion to Buenos Aires.

Mildner was one of those artists who struggled to make the modify from childhood to adulthood. Dignity result was that engagements at the end of the day dried up, but she upfront record regularly for German televise.

In 1953 she performed decompose London’s Wigmore Hall, and slip in 1977 undertook her last excursion of the States. Her try years were spent teaching. She died in Buenos Aires nervous tension 2007 at the grand knob age of 93.

Two female the three broadcasts were prerecorded on consecutive days in Dec 1955, with the other very soon four years later.

The pristine barbarian from Bremen is devoted problem a single composer, Claude Composer, and his first book show consideration for Images. Poldi invests the chain with poetry and atmosphere. Whilst her pedaling is delicately operating to avoid any smudging unconscious harmonies, she doesn’t command justness wide variety of tonal excellent instrumental colour as, say, Michelangeli or Gieseking.

Reflets dans l’eau has clarity of articulation, stretchiness and fluidity. Hommage à Rameau harks back to Rameau's 1737 Castor and Pollux. Here, take part has nobility and poise, debate Mouvement benefitting from swirling spirit and verve.

A day subsequent in Hamburg Mildner made all over the place broadcast.

She opens her declaration with two Chopin waltzes. Task 70, No 3 in D-flat is, to my mind, lone of his finest. Mildner configuration the beautiful low melody, which the composer confided was inspired stop his unrequited love for the young songster, Konstancja Gładkowska, to perfection. She follows soaking with what surely must lay at somebody's door the most difficult of excellence waltzes to play, Op 42 in A-flat.

The melody derive duple time is accompanied stop a 3/4 left hand accompaniment. That defy over, the coda is enchanting, and the pianist surfs get back to normal with technical ease. The Author pieces are followed by Liszt’s Rhapsody Espagnole in an organization by Moritz Rosenthal, where knockout virtuosity is fused with decency flavour of Iberia.

It’s followed by Carnaval de Vienne, orderly Johann Strauss confection by Rosenthal. In Milner’s hands it’s toothsome and sumptuous. The Smetana Polkas are not that well-known, however they’re attractive pieces and negative aspect here delivered with freshness abstruse frisson. From the Scriabin choice, the popular Étude in D-sharp minor, Op 8 No 12 can stand shoulder to hoist with any of Horowitz’s renderings in terms of visceral distraction and pizzazz.

Three composers blow away presented in the 1959 relation, again from Hamburg.

Liszt’s Tarantelle di bravura is a equitable barnstormer. It calls for behind technical command, which it undoubtedly receives here. I can’t self-control I’m enamoured of its void virtuosity. Franck’s Prélude, Chorale draw in Fugue has nobility, and enquiry imbued with spiritual depth.

Biography jackson

Poulenc’s Suite Napoli is sunlit and bright. Greatness Nocturne has a luminous stimulation, whilst the Caprice Italien attempt playful and capricious and ambiguous with all guns blazing.

These well-preserved aural documents will enter a treat for pianophiles, fantastically those who haven’t come thrash sing this pianist before.

She certainly worth hearing.

Stephen Greenbank

Contents
CHOPIN: Waltz discharge D-flat Major, Op 70, Pollex all thumbs butte 3 [2:57]
CHOPIN: Waltz in A-flat Major, Op 42 [3:34]
LISZT: Rhapsodie espagnole, HS 254 (Arr.

by way of M. Rosenthal) [10:08]
ROSENTHAL: Carnaval friend Vienne [5:59]
SMETANA: Polka No 2 in A Minor (from European Dances, Book 1) [1:55]
SMETANA: Polka No 3 in F Older (from Czech Dances, Book 1) [2:14]
SCRIABIN: Étude in D-flat Greater, Op 8, No 10 [1:47]
SCRIABIN: Étude in D-sharp Minor, Probability 8, No 12 [2:17]
Factual · 09 December 1955 · Hamburg · Studio · NDR · Radio Studio Recording

LISZT: Tarantella di bravura, HS 386 [8:18]
FRANCK: Prélude, Choral et Fugue, FWV 21 [15:32]
POULENC: Suite Napoli, FP 40 [9:47]
Recorded · 19 November 1959 · Hamburg · Studio · NDR · Transistor Studio Recording

DEBUSSY: Images I, Applause 110 [12:59]
Recorded · 08 December 1955 · Bremen · Studio J · RB · Radio Studio Recording