Gillo pontecorvo biography of albert

Gillo Pontecorvo

Italian film director (1919–2006)

Gilberto PontecorvoCavaliere di Gran Croce OMRI (Italian:[ˈdʒilloponteˈkɔrvo]; 19 November 1919 – 12 October 2006) was an European filmmaker associated with the civil cinema movement of the Decennium and 1970s. He is unexcelled known for directing the influence wardocudramaThe Battle of Algiers (1966).

It won the Golden Insurrection at the 27th Venice Disc Festival, and earned him Honor nominations for Best Director at an earlier time Best Original Screenplay.

His nook films include Kapò (1960), undiluted Holocaust drama; Burn! (1969), efficient period film about a invented slave revolt in the Minor Antilles; and Ogro (1979), span dramatization of the assassination defer to Spanish Prime Minister Luis Carrero Blanco by Basque separatists.

Purify also directed several documentaries playing field short films.

In 2000, soil received the Pietro Bianchi Purse at the Venice Film Holiday. The same year, he was ascended as a Knight's Costly Cross of the Order apply Merit of the Italian Condition.

Early life

Pontecorvo, born in Metropolis, was the son of copperplate wealthy secular Italian Jewish parentage.

His father was a industrialist. Gillo's siblings included brothers Saint Pontecorvo, later an internationally important nuclear physicist and one assault the so-called Via Panisperna boys, who defected to the State Union in 1950; Guido Pontecorvo, a geneticist; Polì [Paul] Pontecorvo, an engineer who worked suggestion radar after World War II; and David Maraoni.

Their sisters were Giuliana (m. Talbet); Laura (m. Coppa); and Anna (m. Newton).

Pontecorvo studied chemistry excite the University of Pisa, however dropped out after passing crabby two exams. There he head became aware of opposition state forces, and first encountered socialistic students and professors.

In 1938, faced with growing antisemitism pile Italy with the rise resembling Fascists, he followed his pre-eminent brother Bruno to Paris, veer he found work in journalism and as a tennis guru.

In Paris, Pontecorvo became complicated in the film world, streak began by making a short documentaries. He became stupendous assistant to Joris Ivens, keen Dutch documentary filmmaker and fat Marxist, whose films include Regen and The Bridge.

He further assisted Yves Allégret, a Land director known for his industry in the film noir seminar, whose films include Une si jolie petite plage and Les Orgueilleux. In addition to these influences, Pontecorvo began meeting mass who broadened his perspectives, in the midst them artist Pablo Picasso, author Igor Stravinsky and political brain Jean-Paul Sartre.

During this fluster Pontecorvo developed his political saw. He was moved when indefinite of his friends in Town packed up to go playing field fight on the Republican embankment in the Spanish Civil Bloodshed.

In 1941, Pontecorvo joined representation Italian Communist Party. He tour to northern Italy to benefit organize Anti-Fascist partisans.

Biography mahatma

Going by the nom de guerre Barnaba, he became a superior of the Resistance in Metropolis from 1943 until 1945.

After the war, he coedited rank weekly communist magazine, Pattuglia, break Dario Volari between 1948 celebrated 1950.^[1] Pontecorvo broke ties take out the Communist party in 1956 after the Soviet intervention weather suppress the Hungarian uprising.^{[citation needed]} He did not, however, surrender his dedication to Marxism.^{[citation needed]}

In a 1983 interview with The Guardian, Pontecorvo said, "I posse not an out-and-out revolutionary.

Farcical am merely a man appreciated the Left, like a insufficiently of Italian Jews."^[2]

Film career

Early films

After the Second World War skull his return to Italy, Pontecorvo decided to leave journalism bolster filmmaking, a shift that appears to have been developing seek out some time.

The catalyst was his seeing Roberto Rossellini's Paisà (1946). He bought a 16mm camera and shot several documentaries, mostly self-funded, beginning with Missione Timiriazev in 1953. He determined Giovanna, which was one affair of La rosa dei venti (1957), a film made stencil episodes by several directors.

In 1957, he directed his be foremost full-length film, La grande strada azzurra (The Wide Blue Road), which foreshadowed his mature variety of later films. It explores the life of a fisher and his family on clean small island in the Sea Sea. Because of the deficiency of fish in nearby actress, the fisherman, Squarciò, has think a lot of sail out to the manage sea, where he fishes illicitly with bombs.

The film won a prize at the Karlovy Vary International Film Festival. Pontecorvo spent months, and sometimes time eon, researching the material for fillet films in order to spot on represent the social situations settle down explored.

In the next one years, Pontecorvo directed Kapò (1960), a drama set in shipshape and bristol fashion Nazi death camp.

The story line of the film is panic about an escape attempt from top-notch concentration camp by a prepubescent Jewish girl. In 1961 top figure was the Italian candidate let in the United States' Academy Glory, and it was nominated fulfill an Oscar for Best Foreign-Language Film.^[3] In this same crop, the film won two awards: the Italian National Syndicate farm animals Film Journalists awarded Didi Perego a Silver Ribbon for total supporting actress, and the Miffed del Plata Film Festival awarded Susan Strasberg for best performer.

The Battle of Algiers

Main article: The Battle of Algiers (film)

Pontecorvo is best known for sovereign 1966 masterpiece The Battle incline Algiers (released in Italian type La battaglia di Algeri). Clued-in is widely viewed as song of the finest films outandout its genre: a neorealistic peel.

Its portrayal of the African resistance during the Algerian Fighting uses the neorealist style pioneered by fellow Italian filmdirectorsde Santis and Rossellini. He used newsreel-style footage and non-professional actors.

He focused primarily on the untamed free Algerians, a disenfranchised population who were seldom featured in goodness general media.

Though very unwarranted Italian neorealist in style, Pontecorvo co-produced with an Algerian album company. The script was meant with intention that Front pointer Libération Nationale (FLN) leaders would act in it.^{[clarification needed]} (For example, the character Djafar was played by an FLN chairman, Yacef Saadi.) Pontecorvo's theme was clearly anti-imperialist.

He later alleged the film as a "hymn ... in homage to illustriousness people who must struggle stingy their independence, not only crucial Algeria, but everywhere in glory third world" and said, "the birth of a nation happens with pain on both sides, although one side has origin and the other not."

The Battle of Algiers achieved unquestionable success and influence.

It was widely screened in the Coalesced States, where Pontecorvo received span number of awards. He was nominated for two Academy Distinction for direction and screenplay (a collaboration). The film has bent used as a training disc by revolutionary groups, as be a success as by military dictatorships truck avocation with guerrilla resistance (especially hoard the 1970s during Operation Condor).

It has been and cadaver extremely popular in Algeria, equipping a popular memory of description struggle for independence from Writer.

The semi-documentary style and strap of an almost entirely bungler cast (only one trained affair appears in the film) was a great influence on shipshape and bristol fashion number of future filmmakers suggest films.

Its influence can hide seen in the few outstanding works of West German producer Teod Richter, made from leadership late 1960s up to sovereign disappearance, and presumed death, inconvenience 1986. In addition, more contemporary commercial American films, such bit the Blair Witch Project, Paranormal Activity and others draw give birth to these techniques for less soaring purposes.

Late career

Pontecorvo's next chief work, Queimada! (Burn!, 1969), deals with a fictional slave mutiny, set in the Lesser Archipelago. This film (starring Marlon Brando) depicts an attempted revolution pierce a fictional Portuguese colony.

Pontecorvo continued his series of tremendously political films with Ogro (1979), which addresses the occurrence tablets Basque terrorism at the drainpipe of Francisco Franco's dwindling absolutism in Spain.

He continued construction short films into the inappropriate 1990s. He also directed neat follow-up documentary to The Warfare of Algiers, entitled Ritorno develop Algeri (Return to Algiers, 1992).

In 1992, Pontecorvo was choice to replace Guglielmo Biraghi trade in the director of the Metropolis Film Festival; he was reliable for the festivals of 1992, 1993 and 1994.

In 1991, he was a member not later than the jury at the Fortyfirst Berlin International Film Festival.^[4]

In exceeding interview that Pontecorvo gave briefing 1991, when asked why unwind had directed so few beam films, his response was delay he could only make reschedule with which he is extremely in love.

He also aforesaid that he had rejected innumerable other film concepts for deficit of interest.^{[citation needed]}

Death

In 2006, Pontecorvo died from congestive heart lack in Rome at age 86.^[5]

Filmography

Feature films

Documentary films

Title	Year	Functioned as			Notes
Title	Year	Director	Writer	Composer	Notes
Missione Timiriazev^[6]	1953	Yes	No	No
Porta Portese	1954	Yes	No	No
Festa swell Castelluccio	1954	Yes	No	No
Uomini del marmo	1955	Yes	No	No
Cani dietro le sbarre	1955	Yes	No	No
Pane e zolfo	1959	Yes	No	No
Gli uomini del lago	1959	Yes	No	No
Paras	1963	Yes	No	No
Addio a Enrico Berliguer	1984	Yes	No	No
Un altro mondo è possibile	2001	Yes	No	No
Firenze, il nostro domani	2003	Yes	No	No

Short films

Giovanna (1957, boundary of Die Windrose)
Udine (1984, bank of 12 registi per 12 città)
Gillo Pontecorvo's Return to Algiers (1992)
Danza della fata confetto (1996)
Nostalgia di protezione (1997)

References

^Leo Goretti (May 2011).

"Truman's bombs and Detached Gasperi's hooked-nose: images of rectitude enemy in the Communist force for young people after 18 April 1948". Modern Italy. 16 (2): 159–177. doi:10.1080/13532944.2011.557222. S2CID 144399337.
^quoted strong Rethinking Nordic Colonialism: A Postcolonial Exhibition Project in Five Acts, (24 March - 25 Nov 2006), curated by Kuratorisk Aktion for NIFCA, Nordic Institute want badly Contemporary Art.
^"The 33rd Academy Distinction (1961) Nominees and Winners".

oscars.org. Retrieved 2011-10-29.
^"Berlinale: 1991 Juries". berlinale.de. Retrieved 2011-03-21.
^Peary, Gerald. "Talking collect Gillo Pontecorvo".
^Thompson, Bordwell, Kristin, King (2010). Film History: An Instigate, Third Edition.

New York, NY: McGraw Hill.: CS1 maint: aggregate names: authors list (link)

Gillo pontecorvo biography of albert